Head Project
Extract from my proposal
Through discussion with Sara Norrish the idea of a head or series of heads has emerged. As well as showing emotion and expression in their sculpture they could also have writings and images across the surface of the sculpture, this might resemble a phrenology head. If it were one large sculpture it would possibly need an initial framework prior to starting the workshops. It might be more beneficial for each student to create their own individual head then somehow link them all together at the end. Another alternative would be to create a series of scenes in relief sculpture, which depicted relevant images, scenarios and dreams. Often historical and biblical events are depicted in this way and have quite an impact as viewers decipher the stories. As examples there are the brass doors of the Basilica in Florence, the ceiling of the great hall at Lanhydrock, and Rodin’s The Gates of Hell in Paris. |
Therapy through working with tangible materials
Students enjoy manipulating copper and aluminium with a variety of tools. Images, forms and shapes are soon created from the materials and students feel they have control over the creative process. The copper and aluminium sheet can act as a canvas for a relief image or used to construct forms and joined in various ways. The physical aspect of working in copper is important. The student strongly identifies with the image created; - thought, strength and sensitivity are inadvertently impressed upon the material. |
Self-worth through creating something permanent for the appreciation of others
Sculpture is very much part of its environment, unlike other visual art forms, you see it from all angles, you can’t really avoid it, it also takes note of time passing. I have only been making sculpture since around 1995 but whenever I come across something from that era I remember clearly the images, feelings and ideas I put into it, yet my life and circumstances change. The idea that other people see and live with these sculptures over the years also makes me feel good, to know that I created something constant when so much is throw away. I remember things I made in woodwork in school, simple tools that I wish I still had. It’s not just the fame and recognition that comes with creating a Public Sculpture; it’s the thought that you’re doing something that would have an ongoing effect/change on people and places. It’s about being heard, you can have your say, you know that people will experience something of what you put in and you are entertaining them too. |